Tribune News Network
Doha
The Qatar Philharmonic Orchestra (QPO) is set to inaugurate its new season with ‘An Evening with R Strauss: Death, Drama, & Discovery’ on September 13 at 7.30 pm, at QNCC Auditorium 3. The programme will feature three of Richard Strauss’ most compelling tone poems, showcasing his genius in musical storytelling.
The evening will open with ‘Death and Transfiguration’, a piece that delves deeply into themes of mortality and spiritual elevation. The concert continues with ‘Macbeth’, which powerfully brings to life Shakespeare’s tragic protagonist through Strauss’ dramatic musical narrative. The finale, ‘Aus Italien’, offers a vibrant and lively depiction inspired by Strauss’ youthful travels in Italy, all under the direction of the dynamic conductor Elias Grandy.
All are cordially invited to attend this captivating concert, which promises an evening of profound musical exploration.
Death and Transfiguration, Op. 24CharStyle:>
This symphonic poem, composed by Richard Strauss in 1888-1889, vividly portrays the passing of an artist. As the protagonist nears death, he reflects on his life—his innocent childhood, the struggles of adulthood, and the fulfilment of his ambitions. In his final moments, he experiences a transcendent transformation. The premiere of this piece, conducted by Strauss himself, took place on June 21, 1890, at the Eisenach Festival.’
Macbeth, Op. 23, TrV 163CharStyle:>
Composed between 1886 and 1888, this tone poem marked a new direction in Strauss’ work, exploring narrative through music. Despite its innovative approach, ‘Macbeth’ did not achieve the same acclaim as some of his other works, struggling to balance its narrative and musical structure. However, it remains a fascinating exploration of Shakespeare’s tragic character.
Aus Italien, Op. 16, TrV 147
Inspired by Strauss’ travels in Italy, this symphonic fantasy captures the essence of the Italian landscape and culture. Composed when Strauss was just 22, it was his first major orchestral work and a significant step in his early career. The piece, premiered in Munich in 1887, is noted for its vivid descriptions and adherence to traditional symphonic form, setting it apart from his later, more abstract works.
