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AFP
Gdansk
Poles on Sunday got their first - and possibly last - glimpse of a new Museum of the Second World War, a project slammed by Poland's right-wing government as underplaying the country's harrowing wartime fate.
Conceived by EU President Donald Tusk during his time as Poland's premier, the museum offers a sweeping panorama of the war focused primarily on civilians who made up the majority of its victims.
But led by Jaroslaw Kaczynski, the governing Law and Justice (PiS) party, has shown a penchant for a more inward-looking nationalist and 'patriotic' approach to everything from the economy to history.
The museum's angular brick-red and glass facade juts sharply into the air in a part of Gdansk's medieval old town the Nazis razed to the ground.
It lies near the city's Westerplatte peninsula where the German navy fired the first shots of World War II by attacking Poland on September 1, 1939.
The main exhibitions located three floors underground offer visitors a stark look at the human toll of the war and the rise of the fascist and totalitarian politics that led to it.
A soaring wall of suitcases symbolises the mass deportation of European Jews to death camps. The tattered shoe of a Polish child killed during the 1944 Warsaw Uprising focuses on the carnage against children. Porcelain melted by the atomic bomb the US dropped on Hiroshima bears witness to the advent of nuclear war.
World War II claimed upwards of 55 million lives, the majority of whom were civilian, according to the museum. Some ten million were children.
A court ruling this month gave the PiS government the go-ahead to merge the new museum with another planned one - which critics say exists purely on paper and may never be built - on February 1, a move widely seen as paving the way for a change of director.
Historian Pawel Machcewicz, who spent the last eight years bringing the venue to life, is a former advisor to the liberal Tusk, whom Kaczynski views as his political arch-rival.
Respected Polish historian Andrzej Paczkowski says the machinations surrounding the museum have more to do with 'pure politics'.
